| X,1 Articles on Kazaan, Godard, Agee, Leon |
XXII,2 Hitchcock’s Silent Films, Schindler’s List, The Decaloque |
| X,3 Retrospectives on Hitchcock, Wajda |
XXII,3 Early Avant-Garde, Le Mepris, Bound, books |
| XI,1-2 Special Tenth Anniversary Anthology Issue |
XXIII,2-3 Special Double Issue on Douglas Sirk, edited by Gerd Gemunden |
| XI,3 Film Noir, Leave Her to Heaven, The Reckless Moment, Despair |
XXIV,1 John Woo, Elvis, Henry Fool, The Full Monty |
| XII,3 Wiseman’s Welfare, Szabo’s Mephisto, Pasolini’s Pigsty, Schlondorff’s Swann in Love |
XXIV,2 Leigh’s BBC Films, Rope, To Live, Syberberg on Adolphe Appia, books |
| XIII,2 Special Issue on Feminist film critisism, edited by Janice Welsch |
XXV,1 The Thin Red Line, Une Femme Est une Femme, Regeneration, Cain and Noir |
| XIII,3 Providence, Forbidden Planet, Cries and Whispers, Acting Styles |
XXV,2 Wong Kar-Wai, Australian films in America, Bazin on film technique, books |
| XIV,1 Anna Magnani, Pasolini, Music in The 400 Blows |
XXV,3 Special issue on New Zealand Cinema, edited by Andrew Horton |
| XIV,2 The Big Clock, Gabriela, children in Cinema, interviews, book reviews |
XXVI,1 Return of Martin Guerre/Sommersby, Stage Fright, Crouching Tiger, Hidden Dragon, books |
| XIV,3 Special Issue on Psychoanalysis and Cinema, editied by Sonya Jones |
XXVI,2 Being John Malkovich, To Be or Not To Be, La Nouba |
| XV,1 Special Issue on Modern British Cinema, edited by Luciana Bohne |
XXVI,3 Film gris, Mississippi Burning, Interview with Budd Boetticher, books |
| XV,2 Pasolini’s Theory and Practice, Modernist Films by Ackerman, Duras, and Rocha, Kings of the Road, La Soufriere, The King of Comedy |
XXVII,1 Special Issue on Contemporary French Cinema, edited by Walter Metz |
| XVI,1-2 Special Double Issue on British Cinema, 1900-1975, edited by Wheeler Winston Dixon |
XXVII,3 The Matrix, In Praise of Love, A-Bomb Films, books |
| XVI,3 Disney and Warner Bros. animation, female narration, Swing Time, Wings of Desire |
XXVIII,1 Fight Club, Reflexity of the road film, Dixon interview |
| XVII,1 Cavalier’s Therese, Albert Brooks, Kricfalusi interviews, books |
XXVIII,2 Boys Don’t Cry, Dark City, Minority Report |
| XVII,2-3 Special Double Issue on “Interpretation, Inc.”: Issues in Contemporary Film Studies, edited by David Bordwell |
XXVIII,3 I Could Read The Sky, Fish and Elephant, The Face of the Bandit |
| XVIII,1 Kuleshov’s Mr. West, Kurosawa’s early thrillers, Thelma and Louise |
XXIX,1 Fear and Desire, One-Eyed Jacks, Monster’s Ball, Janet Staiger on Gus Van Sant, books |
| XVIII,2 Central American Cinema |
XXIX,2 Manchevski’s Before the Rain and Dust, Cronenberg’s special effects, Greenaway interview |
| XVIII,3-XIX,1 Special Double Issue on Fred Zinnemann, edited by Arthur Nolletti, Jr. |
XXIX,3 Spirited Away, Roman Polanski, Jack Hill interview, Cannes Festival Report |
| XIX,2 Vertigo, Naked, Days and Nights in the Forest; Eisenstein and Woody Allen |
XXX,1 Band Wagon, Burt Reynolds, Sergi Lopez, Dardenne Brothers interview |
| XIX,3 The New Auteurism: Egoyan, van Ackeren, Holland, Pasolini, Scorsese |
XXX,2 Reviews of Bonnie and Clyde, Terrance Fisher’s Crime Films, Beefcake |
| XX,1-2 Special Double Issue on New Film Theory, edited by Wheeler Winston Dixon |
XXX,3 Soldier of Orange, Serbian cinema, D. Ross Lederman’s films, Berlin Film Festival Report |
| XX,3 Special Issue on the Western, edited by Michael Vella and Luciana Bohne |
XXXI,1-2 Special double issue on Complex Narratives, edited by Janet Staiger |
| XXI,1 Blade Runner, The Bicycle Thief, Scarlet Street, British B-Films |
XXXI,3 Brokeback Mountain, The Girl of Your Dreams, Open Water, Cannes 2006 |
| XXI,2 Special Issue on Post-Communist Cinema, edited by Andrew Horton |
XXXII,1 Special Issue on Digital Visual Effects and Popular Cinema, edited by Kristen Whissel |
| XXI,3 Basic Instinct, The Big Heat, feminist and gay male spectatorship, remakes, Trinh T. Minh-ha interview |
XXXII,2 Radiography and Film Noir, Renoir’s 1930s Cinema, 3:10 to Yuma (1957), Cannes and Berlin festival reports |
| XXII,1 Special Issue on Genre, edited by Christopher Orr |
XXXIII,1 The Hole, Gun Crazy, and Alphaville |
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XXXIII,3 L’Age d’Or, Deja Vu, Theives’ Highway, Berlin Festival |
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XXXIV,1 Man With a Movie Camera, The King of Comedy, The State I am In, Marianne and Juliane, Hal Hartley, book reviews |
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XXXIV,203 Special Double Issue on Romanian Cinema |
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XXXV,2-3 Special Double Issue on Kore-eda; edited by Arthur Nolletti, Jr. N |
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XXXVI,1 Jia Zhangke’s 24 City and I Wish I Knew, Kubrick’s 2001, Antonioni’s Blow-Up, Berlin Festival |
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XXXVI,2 No Country for Old Men, Pulse, S.A. Truth and Reconciliation Films, Bryanston Noir of 1960s |
Film Criticism 